A ring top ladies size, a Wahl Oxford , A " Deco Band", a gold seal standard size, a purse pen long version, an Equipoised and finally another purse pen in short version.
http://www.blurb.com/
SOME PHOTOS OF THIS BOOK AFTER PAUL BLOCH'S COMMENT.
I received the followig comment from Paul Bloch wich I thought it would be interesting to post for diferent reasons you easily understand.
Luiz -
In researching about everything I could find about the Equi-Poised pen, I have come across a couple of interesting facts:
1. The name "Equi-Poised" means equally balanced. Considering that it copied Sheaffer's balance, I guess it's kind of an inside joke.
2. People have, apparently, not decided what to call a couple of the colors. Besides the variants for black and black and white, I have seen one called either green and gold or green and bronze. The other has been called blood red and black, oxblood, flamingo, tunis and tunis pearl. Extremely confusing - and unnecessary, I think.
Also, I have been having an interesting discussion, via e-mail, with Phil Munson. We were talking about people in the collecting community who share their knowledge. As with me, he always found Michael Fultz helpful.
There are people around who do share, often quietly, like Joao and yourself and Tsachi and Lih-Tah Wong and Tony Fischier and Brian Anderson, but, too often, it seems we are overwhelmed by those looking to make money from their collecting activities. As Phil correctly points out, that money may be important, but it does not excuse some of the behaviors we have witnessed. I wish I could change some of that. I wish, too, that people like you and Rob Astyk and Len Provisor, when you see somebody either not having enough knowledge of a subject or reaching a wrong conclusion, would jump in and point out a clearer direction.
As a result of our brief friendship, I have not only acquired valuable resources for my research, but have had the opportunity to learn a great deal about some not-very-well-known pen makers, like Eclipse and Penol. It's like when I put up a question about trench pens, and several folks were able to help, or with combinations, or with depression pens. We know far too little, I think, about English or French or German pens (to say nothing of Danish); Japanese pens are left to a few specialists. Chinese pens are so common today that collectors turn a blind eye to their efforts - there must, certainly, be honest manufacturers who produce quality products there.
Valeria Mazza, I found out, is a Belgian company, which is trying to muscle in on the other European quality makers. Some of their pens are absolutely beautiful. I never held or written with one, but they appear well-made.
Paul
SOME PHOTOS OF THE NEW WAHL BOOK
I found on my stuff , abandoned in my stuff would be the correct word , a small plastic bag with a pen set and a pencil and other Items wich I bought ( for a couple of dollars ) several years ago at an auction during one of the Chicago Pen Shows I attended ( when our friend Mike Fulz was still alive and with the two legs ) . When I picked up the small plastic bag I thought that those Items belonged to , probably a couple ( because inside the bag was another pencil with the name Lydia Anders as a gift from 5 to 10 years loyal service )and what they represented to both of them ! At least the result of hours and hours of hard work inside a factory !!! ( have a look on the barrel's imprint on the pen and pencil of Herbert Anders - 10 to 20 years of loyal service ! ) And that gift , a really small gift, is a remembrance of a work's life !!! Why their family ( if they had a family ) did not respect this couple's work when they passed away and sold that ?????
We, avid fountain pen collectors should think about this !!!!!
May be I'm to sentimental today.Anyway here is the invitation to think when you take an old pen in your hands what that pen could represented to someone before you ( so take it with respect ) and also what is going to happen when it comes our time to pass away !!!!
I wish a nice Sunday to all Pentracers.
Luiz
PS As usualy this photo was worked by my co conspirator ( as Paul says ) , João Pavão Martins who made this fantastic composition .
We, avid fountain pen collectors should think about this !!!!!
May be I'm to sentimental today.Anyway here is the invitation to think when you take an old pen in your hands what that pen could represented to someone before you ( so take it with respect ) and also what is going to happen when it comes our time to pass away !!!!
I wish a nice Sunday to all Pentracers.
Luiz
PS As usualy this photo was worked by my co conspirator ( as Paul says ) , João Pavão Martins who made this fantastic composition .
After this post I received the following reply from my friend Len Provisor :
The story of the Herb Anders Wahl Eversharp
Herbert Anders (on right) with his fellow company volunteer firemen -notice the Auxiliary Fireman Eversharp, Inc. badges.
I concluded that most of these parts were a snapshot of many parts used by Eversharp’s experimental efforts from the mid-1940’s to the early 1950’s. This was a time when Eversharp was struggling to present new pen products and enter the ballpoint market to compete with Sheaffer’s Stratowriter and Reynold’s Rocket ballpoints. The Sheaffer’s Touchdown snorkel filler was introduced in September, 1952 and Parker’s 61 was introduced in September, 1956.
The Eversharp “61” and Fifth Avenue prototypes
now here's the brick to the forehead.....
You see the many acrylic and Pyralin rods from the DuPont Viscoloid Co. Arlington, NJ in various lengths from 12" to 36" and they were EXACTLY the same material rods as used by Parker for Depression pens, various black and pearl used by several pen companies, LeBeouf granite materials, Waterman Patrician Onyx cream and bronze.
You see the many acrylic and Pyralin rods from the DuPont Viscoloid Co. Arlington, NJ in various lengths from 12" to 36" and they were EXACTLY the same material rods as used by Parker for Depression pens, various black and pearl used by several pen companies, LeBeouf granite materials, Waterman Patrician Onyx cream and bronze.
The image below shows the top two models as the 61 version. The next two images show the piston-driven snorkel model. The filling tube (snorkel) is extended when the barrel is rotated. A knob on the end of the barrel moves the piston. When the knob is counter-rotated, the piston travels back up the barrel drawing ink into the pen. The barrel must be counter-rotated to withdraw the snorkel tube back under the nib and into the feed. This test model is made in clear Lucite, it appeared solid and comfortable but was never produced or marketed.
Can you just imagine what kind of pens were made from these sample rods?
I placed the rods into about 6 groupings and sold them at a NJ Pen Show the next year. have no idea if they are still sitting in a flower vase or someone proceeded to make some pens from them as late as today, like this one. .
I placed the rods into about 6 groupings and sold them at a NJ Pen Show the next year. have no idea if they are still sitting in a flower vase or someone proceeded to make some pens from them as late as today, like this one. .
I had one pen made for me only. The rod stock is Wahl Flamingo Pearl, made for me by Brad Torelli, the pen has matching end jewels in same material, the cap is from solid sterling rod and hand hammered.
What this means....if you really find an old pen in the wild that looks like a Parker, smells like a Wahl, barks like a Waterman or quacks like a Sheaffer ...you will NEVER really know who may have made it or what you really have.
© 2008 Len Provisor
What this means....if you really find an old pen in the wild that looks like a Parker, smells like a Wahl, barks like a Waterman or quacks like a Sheaffer ...you will NEVER really know who may have made it or what you really have.
© 2008 Len Provisor